On each of these days Bachâs congregation was inspired by a cantata that recounted one of these stories, commenting and reflecting upon the events and their meanings for the Christian individual and community. The first and final chorales of the oratorio are a setting of the Passion chorale, which we usually associate with Lent. This unique hybrid structure leads us to the powerful bass aria, another paraphrase from BWV 214 whose original form was a song of homage to the queen. The six services of the Christmas season 1734–35 where the oratorio's … It is serious, direct, and delivers an authoritative message of great significance. Bach composed the six-part “Christmas Oratorio” (“Weihnachts Oratorium”) in 1734 for two Leipzig churches, St. Thomas and St. Nicholas, for which he served as music director. Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. For all of its simple, almost popular quality, the relationship between the obbligato, the voice, and the echo (the voice of humankind) is complicated and unpredictable. The Evangelist tells of the shepherds making their way to Bethlehem. Like for his other oratorios, and his Passion settings, Bach employed a narrative based on the Gospel in his Christmas Oratorio. In this “Musical Notes with T. Herbert Dimmock,” learn about J.S. Bach had composed virtually all of his cantatas when he came to assemble the Christmas Oratorio. A rather lengthy contemplative section follows. Then comes a vibrant and rhythmically irresistible tenor aria with violin duet. FREE Shipping on orders over $25 shipped by Amazon. Join us for the grand finale of Bach’s six-part Oratorio as the Minnesota Chorale celebrates the naming and adoration of the Christ in the last three passionate cantatas of this soaring, sacred work. Furthermore, the chorale statements are extended by the bassâs additional explanatory comment. Ms. Callahan has performed Bach’s Christmas Oratorio with J. Reilly Lewis and the Washington Bach Consort and previously has been engaged by them in Washington and in Germany to sing Bach’s Missae Breves and Mass in B Minor, the Magnificats of J.S. Similar to the Matthew and John passions, it includes a tenor Evangelist who narrates the story of the birth of Christ as it appears in Luke 2:1–21 and Matthew 2:1–12. �)�33GRwZԣ���LL��XS������t��o�P,���5��K_8�������gc�s�k � ���b�YI̙j��]����=�jlip����L��T����^�;�u��n�}H��L� �1jjD���'�[��ۍ.��OX)B���hr�n�[� ��G:���D���oX#���/6�q�kAq°'��A1���/oM>�d�z��r�l��������%��I;�,��s���D1 �E>����g�T�����\�2m�wu���j?ڕ���iOH�� ��@��Ԗ���0L9g���q���Q���0��P�G�}FPr�� ���� Sheet music $20.17 $ 20. While this section of the oratorio has the most modest orchestration, just two oboes dâamore in addition to the strings, it is one of the liveliest sections of the oratorio. Coro: Jauchzet, frohlocket, auf preiset die Tage (D major) 2. [PDF] + Video - Choir and Orchestra - Baroque * License : Public Domain - 6 Parts/Days, 64 pieces : I. Jauchzet, frohlocket, auf, preiset die Tage (Cantata for Christmas Day) 1. The Evangelist tells of the coming of the Wise Men, while the chorus takes the part of the Wise Men with tropes by the alto describing our reaction to them. The chorale tune Vom Himmel hoch, one of the most beloved of the chorales, paints a darkish picture of the child in the gloomy stable where oxen once fed setting the scene for the gorgeous slumber aria for alto, flute, and strings. These words are encapsulated in the following turba chorus, less fully orchestrated and even shorter than the first. Cantata for the third day of Christmas. �V������p�0p�}�,J� 0��C�- The jaunty, rustic duet for bass, soprano, and two oboes dâamore is addressed to the child, placing emphasis upon love and devotion. Bach Sheet Music. Celebrate the Season. It begins with the most unabandoned and cheerful chorus and is the only one of the six cantatas to end with a plain chorale. See program notes and a translation of the Christmas Oratorio from the BSO. The two horns give a peaceful, otherworldly quality to the opening chorus, a paraphrase from BWV 213. Instead the format is that of a cantata. %��y��݁��m����2���1�d��(ERhMQ���į�H!1���#��o3�Ȋ�$�=��}8���/��Q����t�����R�K�5e��OPď�뮔�n�N�/����S$| In the first the Angel, encompassed by a halo of sustained strings, announces the birth of the savior. The Evangelist then paints the picture of the shepherds in the fields when the Angel of the Lord appears. The first three cantatas unrolled on Christmas day (which, in liturgical terms, is the First Day of the Feast of Christmas) and the two days immediately following. Bach recycled material from two secular cantatas composed in the previous year: Sound, you drums! The concluding chorale, short and symmetrical, is almost rustic in character, and its message somewhat stark. With the four oboes as shepherds accompanied by flutes and strings as the heavenly choir of angels, the gently undulating dotted rhythms shape a lush, pastoral effect. In order to keep clear what is narrative and what is commentary, all the Evangelist recitatives - the Gospel texts- are secco (dry, with simple chords from the cello and organ), while the other recitatives have obbligato instruments or string accompaniment. The Christmas Oratorio parades 64 arias, choruses, and recitatives past its audience. WINTER LIGHTS BACH'S CHRISTMAS ORATORIO, PART V & CANTATA 153 Sunday, January 5 at 4 p.m. Church of the Redeemer, 5603 N. Charles Street, Baltimore PURCHASE TICKETS Plan Your Visit FULL PROGRAM: Bach’s Christmas Oratorio Part V: Ehre sei dir, Gott, gesungen Bach’s Cantata 153: Schau, lieber Gott, wie meine Feind Albinoni’s 8�CD�wFB��"�%�vjC-Z��j���p��tX��#F�Ģ���Z��c:�t�&K*'#�!W�3:��;� �CD�e��.V�c�!A�u���5T$?FA�vh�iS�Ӧ���O^#���${�Daz���ٱ�p�Fgg�Tz�,\Y.�"D���p�.�B��k�YU�"|��$n��� ��V��T�S� �p�~���+�P�敉�!���{�i��pO���0=�ma����&}�r\&����9��-%��h�39�F��t���v�#����Fбݒ�>�~�Q��Ϡ�5��{&��ڤg �B'26��3���~�b~X�(�Xe&*� �;��Ni ��0���-�ID+5��&�K��ҲѪ`g c�������r��a*F���B��Ba�XG]$�q��b�U��pD�`B�M88zP��:z� His books Hearing Bach’s Passions and Listening to Bach: the Mass in B Minor and Christmas Oratorio, for general readers, are available … He borrowed the music for the opening chorus from another cantata, but forgot and copied the old words into the score, which he then had to cross out. Simon Heighes’s informative note emphasises the devotional, rather than concert, nature of the Christmas Oratorio, and this is the key to Christophers’s interpretation. It is an unconventional oratorio for rather than following the pattern of Italian oratorios, as he did for Judging by the autograph score, he was working fast. The Evangelist continues telling of the shepherds finding Mary, Joseph, and the child. stream %�쏢 James Burton. Melamed is professor at the Indiana University Jacobs School of Music, and serves as president of the American Bach Society and director of the Bloomington Bach Cantata Project. pc��>��kd꒺�����nO^'��s�Z�U� su,c(F�����2]�(�=I,�� 3.+��4?��9�����D����ĭ� �$!��n Gl�k�Dz�pi�������n,c���!���a8�k2�}�!j�5����atF���Юj��$H�)䵇/�=c�ScIX��w32'���d�7�A��DY��coXd��F�X8q�>i��ӎCC}{lQUYVY q9���ǃ���FD=i��N9'��N;�J��3w8� ��M���_��(�2�-����Kb���-�@<=p�B��U��/C��`H�|�3������S�1\w�횛~��2�� ���M7�����"���f#If�xfM��Z��C �)���>��"�(_�Ywvh~��|�}r�4�"A������ɢq�}��l���u����"�~8�'W�6c�-�_����߫;�L��='��Z�ɲX�m�ЪU��HS��P^|6��~R��/O����ж��+��>[6��Xg �s9�r7�N�� Vr ��ڝ&G�!��^��>���&��Co�0`Yuݏn�:��/?�_ wn�+2�@ %p1++�VV�W"Np�X���Z�]�@��� oSpۧD~!=�\���s���*/V�f�̓��W������=�&�n��[Z�$']�L6NmvB�f��5s�ͺ�� Bach Christmas Oratorio Symphony of Harmony and Invention / The Sixteen / Harry Christophers, cond. PART IV Fallt mit Danken, fallt mit Loben The opening chorus has a complexion that is both passionate and vertiginous, going in one direction then veering off unexpectedly in another, as befits the text, which is concerned with the treachery of Herod. christmas oratorio oratorio de noel vocal score Nov 16, 2020 Posted By Eiji Yoshikawa Publishing TEXT ID a478a27f Online PDF Ebook Epub Library christmas oratorio oratorio de noel vocal score this is the best area to door christmas oratorio oratorio de noel vocal … The opening chorus of the Christmas Oratorio is a paraphrase, taken from the secular birthday cantata for Maria Josepha, Queen of Poland and Electress, BWV 214 , from which Bach subsequently parodied a number of movements for the oratorio. The choruses are jubilant and often feature brilliant and festive orchestration. Əe:�$|�q)��$ The tenor and flute aria is a call for them to gather, hasten and see for themselves the child who can refresh both body and spirit, as depicted by sweeping melismas in the voice and flute. Bach - Christmas Oratorio - Programme Notes. Bach, and many cantatas. However, one might point to the unifying aspect of the same chorale used in the first and last cantatas. $14.90. The chorus then sings, without instrumental introduction, the energetic "Glory to God" chorus. This evening’s performance compresses these six days and their … Cantata for the Sunday after New Year. There are two stunning moments when "peace on earth" is called for, compelling the choir to sing in hushed tones while the primarily eighth-note-driven continuo line temporarily subsides. Introduction by Ryan Turner Program Notes: J.S. The Carmel Bach Festival will present Bach’s Christmas Oratorio as the composer intended, performed in multiple concerts on different days, rather than in a single performance. Two short recitatives act as a bridge to the first aria of the cantata, the first accompanied by strings and the second by the oboe choir. christmas oratorio oratorio de noel vocal score Nov 18, 2020 Posted By William Shakespeare Media TEXT ID a478a27f Online PDF Ebook Epub Library the top suppliers of woodwind brass and orchestral strings across sussex and are print and download oratorio de noel christmas oratorio alternate accompaniment sheet The offering of praise is now directed more towards Jesus rather than to God, and the entire cantata is focused on the naming of the baby. The following trio takes a curious stance when the soprano and tenor ask when the messiah will appear; the alto quiets them and announces that he already has. The unsophisticated, yet beautiful chorale Brich an, o schönes Morgenlicht contemplates the childâsradiance. The soprano chorale returns with the bass recitatives. De�%?����)�%����K42�Y\J(��9��_ɇ����]U�x�Pd�gdCv�'����-gp\���> ?Z��@���"�H�ۢF�>�f��i��[��7�3�y�e:ϬkC+ܔV5��eʾ饍���m /�b~�QM�|�>4�܁�?�V���zy�μ���Lğ[��ޅ#D{�Q:��/����B�8�5� The movement that follows for bass soloist and the sopranos of the choir is among one of the most interesting movements in the entire cantata canon of Bach. Individual cantata notes by Craig Smith, adapted by Ryan Turner, Emmanuel Music is the Ensemble-in-Residence at. Equally convincing is the fact that all of the opening choruses are in threeâan understood symbol of the Holy Trinityâand the oratorio commences and concludes in D major. It begins with a brilliant chorus, again recycled from an earlier secular cantata, with trumpets and drums. Encore broadcast from December 1, 2018. The section ends with Vom Himmel hoch, this time accompanied by motives from the opening sinfonia. After more narration and a chorale setting, Bach abandons the Wise Men, and in the tenor recitative and aria again concentrates on the treachery of Herod. Only 6 left in stock - order soon. Unlike the Passion settings and the oratorios of Bach's exact contemporary Handel, the six parts … Similar to the Matthew and John passions, it includes a tenor Evangelist who narrates the story of the birth of Christ as it appears in Luke 2:1â21 and Matthew 2:1â12. u�(MT4$Dlt;k�ص��PΡ�����Ύ���m��i藕q��Bq�N��М��vٍ�:���a�Y���F I��*�4���'���k!�u%h"��C$�NJ�Dk1o����B�Z�>Z��uIF{��j]�ņ�O�5�*�,5�c[�'֙���BW6g������]���A�d��� pYUju��a�Kq+����o�v*����W%��l�Ur���XT�:j �x2O�)�%l�6#�Tj5e�]2j�mSQ��7��gm��� �����^�R�)���C�C�]�H����_t�����HU�Li�k�!�����>�p���٘c豦[�� ܃;��VZ���Bj������Ѫ�"T-&6"̴$00��bo��� ��&�vׂ�M@/�c�p�US},�dp/��c���@F G�퉍��:"��ִQX��^�'R�cP�à�a��B��S�_:RlCX��&Q��ɏ� F�.��0�b��!Ua� �iN`M"�@dR�c��ղͭP�V��F�+����X9��}@j>�3�jQ���%Y �%[�eU/����m'u�Ŏcp,��dЖE� :c� The Christmas Oratorio is exuberant music, brimming with joy and hope. Get it as soon as Mon, Jun 8. Cantata for Christmas Day. Erschallet, Trompeten, (written to celebrate the birthday of Maria Josepha, Queen of Poland and Electress). After a bit of narration, the soprano sings an accompanied recitative and aria, rather abstract in its condemnation of Herod and its pronouncement of Godâs power. Program Notes for Dec 13, 2008 Seth Lachterman J. S. Bach — Weihnachts-Oratorium (1734) S.248 (The Christmas Oratorio) German music, especially northern liturgical music, seems to have a deserved reputation of being cerebral, contemplative, and rather somber. In that year they first performed Johann Sebastian Bach’s Weinachts-Oratorium (Christmas Oratorio). Bach's Christmas Oratorio was compiled for the Christmas church festival at Leipzig for the season of 1734-5. 3 / 20 min —INTERMISSION 20 MINUTES— BACH Christmas Oratorio, Cantatas 4, 5 and 6 / 75 min. Tags: Andris Nelsons. While the narration is concerned with the arrival of the Wise Men, much of the music exhibits a darker cast heading toward Lent. It moves from the sheer ecstasy of Jesusâ arrival to his personal and private adoption within the human heart. Surrounded by two oboes dâamore, the alto recitative expresses contentment with the impending birth, leading us to the first aria, a paraphrase from BWV 213, a cantata originally composed for the House of Saxony. Although poetic rather than biblical, the bass aria clearly depicts one of the Wise Men in his reaction to this remarkable situation. These recitatives are unified by lyrical meditations, or arias. and C.P.E. Cantata for New Year/Feast of the Circumcision. shipping: + $4.00 shipping . BACH Orchestral Suite No. When Bach unveiled the Christmas Oratorio in the last week of 1734 and the first week of 1735, each of the constituent cantatas was offered on a different day during the thirteen-day span that Lutherans recognize as the Feast of Christmas. J.S. Bach: Program Notes from Mark Shapiro. On each of these six days, Bach’s congregation heard a cantata that recounted one of these stories commenting and reflecting upon events and their meanings for the Christian individual and the larger community. ... INTERNATIONAL BUYERS PLEASE NOTE THAT BECAUSE AT 1ST CLASS AIRMAIL IS NO INSURANCE & NO TRACKING# AND I LOST SOME RECORDS IN THE PAST , YOU MUST CONTACT ME FIRST !!! Bach’s exuberant Part V of his Christmas Oratorio, and the musical journey Bach creates for the listener. Cantata for Epiphany. The following chorale again represents the congregationâs reaction, picturing the untarnished adoration of the infant before inevitable human sinful thoughts and actions manifest themselves. F005 Bach Christmas Oratorio Janowitz Richter 3LP Archiv DGG 2722 024 Stereo. The Christmas Oratorio begins and ends, significantly, with the Passion chorale, much in the manner of many nativity paintings of the period that show in the background a little sapling growing which is meant to be the tree from which the cross will be made. Darzu ist erschienen der Sohn Gottes (For this the Son of God appeared), BWV 40, is a church cantata by Johann Sebastian Bach.He composed it in 1723, his first year in Leipzig, for the Second Day of Christmas, and first performed it on 26 December that year in both main churches, Thomaskirche and Nikolaikirche.It was the first Christmas cantata Bach composed for Leipzig. This is the only one of the six cantatas not to begin with a celebratory chorus but with an expansive sinfonia. �X��@����n�1&T0:��������{���+�'k�z�G=S?v�`:��[�_���g��]��ŲPk��u�s���Ԯ�DW��'���,�"��jn� Thursday, January 14, 2020 at 8 p.m. on YouTube & Facebook Christmas Oratorio Part III Herrscher des Himmels, erhöre das Lallen, BWV 248/III The Consort’s program notes are written by Bach scholar Daniel R. Melamed. PART II Und es waren Hirten in derselben Gegend Also in … The opening chorus is repeated to close the cantata. The fourth cantata was written for the Feast of the Circumcision. Nonetheless the Christmas Oratorio was never performed under Bachâs direction as you will hear it this evening, condensing these six days and six cantata performances into a single performance of the paramount events of this thrice-told tale. Bach composed the Christmas Oratorio in 1734. It is interesting that in this segment of the oratorio, all of the chorale tunes are by Bach and were unfamiliar to the congregation; clearly Bach meant the chorales in the segment to be poetic rather than congregational. PART III Herrscher des Himmels, erhöre das Lallen NOTES. The opening chorus begins with the drums and is followed up by a mighty rush with the strings and winds to the dazzling entrance of the trumpets. Leipzig Gewandhaus Orchestra. Although we think of it as a single work composed of six cantatas, Bach presented the individual cantatas one at a time over the period between Christmas and the Feast of the Epiphany. 17. ��Og�kJ! �8�2�,�r3��-����'�$\�+E =l�gCP��(A��SPr���r{����%�Iu��T�iއ���C�1E��^�������*Y*� g�aHv����+�*ޭ�-6��.���7s溚H�����4)�EE0�#�s����`�qʑ� �"��V�z�f/hNqA&��c��t�?��f��ۏ��k�C ͏��i��M��H��p�����0��C!�j����-S�x�V�(l�;��a�@|z�1�b������Y $��S�|}�|���M�� �g�f�H'֕S�e�~. Resound, you trumpets! Sheet music Bach: Christmas Oratorio (BWV 248) Vocal Score. The program also includes … The alto then sings an aria with violin describing Maryâs innermost feelings of the miracle of the birth. ... Bach Christmas Oratorio BWV 148 Vocal Score Barenreiter 5014a. by Bach | Jan 1, 1980. College Park, MD— The UMD Symphony Orchestra and UMD Concert Choir, under the direction of Edward Maclary, explore the meaning of life and loss in Brahms’ German Requiem Friday, November 14 at 8pm in The Clarice Smith Performing Arts Center’s Dekelboum Concert Hall. The Christmas Oratorio, BWV 248, completed around Christmastime of 1734, is not an oratorio in the usual sense. PART VI Herr, wenn die stolzen Feinde schnauben influenced oratorio writing4) to create a new type of oratorio in the early 18th century that integrated operatic style with Biblical narrative. Together, these six cantatas comprise the Christmas Oratorio as it was never performed under Bach’s direction. Bach’s Weihnachts-Oratorium, BWV 248 Bach’s Christmas Oratorio (OratoriumTempore Nativitatus Christi), a cycle of cantatas unified by the Christmas story, and like the St. Matthew and St. John Passions, narrated by an Evangelist, was first performed over six days (the first three days of Christmas, New Year’s Day, Sunday after New Year and the Feast of the Epiphany) in … BACH Christmas Oratorio. �@�8�4n����Q��36�bh�¿;��k��c��B%���c �ѭ�Q� The Christmas Oratorio is a group of six cantatas that form a unified piece with a single story line. It is, in a way, the most perfect and symmetrical of the six sections of the oratorio. PLAYLIST MUSIC TRACK J.S. In fact many of the movements are paraphrases from two earlier secular cantatas dating from 1733, the year before he produced the Christmas Oratorio: LaÃt uns sorgen, laÃt uns wachen~ Hercules at the Crossroads, BWV 213 (composed for the 11th birthday of Friedrich Christian, Prince Elector of Saxony) and Tönet, ihr Pauken! PART I Jauchzet, frohlocket, auf, preiset die Tage The final chorale is the only one in a minor mode and is, perhaps, the most potent of the hymn tunes used in the oratorio so far. Coro, Sixteen Productions 2003 / B000QZUSBK Johann Sebastian Bach … The Evangelist then describes the infant Jesus in the manger. Cantata for the second day of Christmas. This is among the most beautiful of all the chorales in the Christmas Oratorio. Yet, there is no one consistent structural pattern uniting these cantatas. Notice how the flute hovers above the alto voice like a halo. The compiler of the libretto remains unknown, but most scholars believe that Christian Friedrich Henrici (under the pseudonym Picander), a German poet and the librettist for many of Bachâs Leipzig cantatas, probably gathered and arranged the texts. %PDF-1.5 Each part is a cantata for 1 of 6 feast days within the 12 days of the Christmas season: The story begins with the birth of Jesus (for Christmas Day). Read more 5 0 obj The bass, backed by emphasizing woodwind chords, brings a reminder of the ancient promise. Bach, therefore, celebrates with the maximum of musical ceremony, recalling the trumpets and drums. The little four-voice recitative is thirty seconds of magic and leads into the astonishing final chorus, a triumphant trumpet-and-drum affair in which is imbedded the Passion chorale. Bach’s Christmas Oratorio, one of the composer’s most lavish musical achievements, comprises six cantatas that were written to be performed on consecutive feast-day mornings from the Nativity through Epiphany. Next comes the stunning and popular "echo" aria for soprano and oboe, another paraphrase from BWV 213. Because of this, it is difficult to judge the extent to which Bach viewed the work as an entity. Program Notes – Christmas Oratorio The Christmas of 1734-35 must have been a very busy one for the musicians of Leipzig. After the Evangelist tells of Jesusâ name, we encounter a section of gorgeous recitatives by the bass, with the sopranos of the choir intoning a chorale. FOR IMMEDIATE RELEASE CONTACT: Sarah Snyder ssnyder3@umd.edu 301.405.8151. PART V Ehre sei dir, Gott, gesungen The rich, imaginative harmonizations of the ten chorales reflect the voice of the people, as they were hymn tunes mostly well known to Bachâs congregation. Program. The final chorale brings back the radiant horns to close this wonderful, rich work. Instead the format is that of a cantata. Tanglewood Festival Chorus. <> The text for the original chorus called upon drums, trumpets and strings to fill the air. Johann Sebastian Bach. The aria is a wonderful piece, full of the trickiest phrasing and unexpected ideas, very much in the manner of the opening chorus. ���c� x��]�%E����n wv�E�^�i��V$&~��7�O($&���bUWWթ����;B��[��>�s����,�>/�?��o�?��oC�����/����~8�����a��������7��1����۳J=�u�OS! Such are the qualities we’ve learned to respect in the “Northern Character” of Program Notes. Bachâs transformation of this material to wonderful and idiomatic Christmas music is a marvel. It begins with an energetic chorus. The six cantatas which comprise the oratorio were designed for Christmas Day and the two following days, the Feast of the Circumsion, the Sunday after New Year and the Feast of the Epiphany. CHRISTMAS ORATORIO by J.S. The shape of the fifth cantata is wholly determined by the emotional impact of the narrative. The original text, a denunciation of lust and the serpents of sin, now becomes a call to action----prepare yourself Zion, to behold the fairest. Although collectively the individual movements of the Christmas Oratorio form a continuous musical account of the Christmas story, Bach did not conceive the oratorio as one uninterrupted work, in the manner of Handel’s oratorios, but rather as six separate cantatas to be performed on six separate occasions - the three days of Christmas (25 th, 26 th and 27 th), New Year’s Day, the Sunday after New … Evangelista: Es begab sich aber zu der Zeit (B minor) 3. The shepherds retreat, praising God for what they have witnessed. However, Bachâs congregations would have been familiar with it as it exists in previously heard cantatas, most notably BWV 135. One of Bachâs typically energized bass lines suggests determination while the flowing flute and violin melody intimates a flurry of activity. From Christmas Day to Epiphany in the 18th century, the town of Leipzig celebrated the birth of Jesus and the events surrounding it not with a single feast day, but with a "season"âsix special commemorations occurring between Christmas Day and the Feast of the Epiphany; the birth of Jesus (December 25), the announcement to the shepherds by a host of angels (December 26), the adoration of the baby by the shepherds (December 27), the circumcision and naming of Jesus (New Yearâs Day), the coming of the Magi from the East to find the child "born King of the Jews" (the Sunday after New Yearâs Day), and finally the Magiâs worship with their gifts (January 6). Christmas Oratorio- Johann Sebastian Bach (1685 - 1750) The Christmas Oratorio was conceived as a set of six cantatas. The Christmas Oratorio, BWV 248, completed around Christmastime of 1734, is not an oratorio in the usual sense. The Evangelist continues to describe Herodâs hysteria. Motets & Liturgical Works Notes & Translations. A wonderful and grand setting of Vom Himmel hoch, da komm ich her, with trumpets and drums punctuating each cadence, ends the cantata. They all bear little signs that say “Genius at Work.” Things get complicated. Maestro Dimmock takes you into the music to deepen your appreciation and understanding of this cheerful work. 8�_�.��U Bach gives the sopranos four chorale phrases, each in a different key, and each is preceded and followed by an instrumental ritornello framing the entire movement. The festival of Epiphany, the traditional twelfth day of Christmas, completes the narrative of the Wise Men and the revelation of the arrival of the savior to the world. Instead the format is that of a cantata. ?�����kDz��a�ý�uU�MW���Ǫ��z�������j��eѵ�8t��Y�@sx]ԝ�,��cʟUr���˙��?�Gk��!�x��MK~�����jo��Ղ���>��T��q�̯�͕b��EY��4�-Z���cS�����=���Y��]ٍ���G�v,�����_g�T��M=�bj������o�u����Wgb�]^���Ʈ�����}���\�L������)�yɡ��t�'�^w�T*�we3 �?���^�{SO�!�����Z��呇f�e��#��`�؎+[�����$�ᷗ�����'�CW�����nf���ϖ�3:�d&����K.ohF�ȟ��ԟ�O��_���l٩ԝv��! Five of them begin with a rousing major-key chorus, and one with a sinfonia. A … Johann Sebastian Bach put together his Christmas Oratorio, BWV 248, sometime in the fall of 1734 for the coming Christmas season. The third cantata completes the narrative wherein the shepherds and others hasten to the manger, extolling Jesusâ powers. W�;�����03�?k+ů$;�b��x9i#jP�EP�> The Gospel narrative of this oratorio followed, to a certain extent, the respective Gospel readings of the church services where the six cantatas of the Christmas Oratorio were to be performed for the first time. 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Minutes— Bach Christmas Oratorio, cantatas 4, 5 and 6 / 75 min Archiv DGG 2722 024 Stereo Sunday. Oratorio as it exists in previously heard cantatas, most notably BWV 135 chorus called drums!
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