Peter Wright made his debut with Ballets Jooss in 1943. Read more about Sir Peter Wright When the clock strikes twelve, dreams and magic are unleashed as the doll springs to life. The success of the BRB Nutcracker is really down to Peter Wright and designer John Macfarlane – it’s lavish but not in a bling way with cheap gold and crystals spread thick, but in terms of its design richness and depth. This article first appeared in the Australian Ballet’s program for its 2014 season of Sir Peter Wright’s Nutcracker in Melbourne and Sydney. He is one of the most eminent names in ballet, and between 1977 to 1995 he held the position of artistic director to the Birmingham Royal Ballet (previously the Sadler’s Wells Royal Ballet), where he still holds the title of Director Laureate. Sumptuously staged and set to Tchaikovsky’s celebrated score, this ballet is a truly magical experience for the whole family. Performed by The Australian Ballet. During the 1960s he also established himself as a successful director of television ballets and choreographed various West End musicals and revues. Photo by Roger Wood, Steven McRae as The Prince and Iana Salenko as the Sugar Plum Fairy in The Nutcracker, Eric Underwood and Olivia Cowley in The Nutcracker, The Royal Ballet, Lesley Collier, Akane Takada as Giselle and Peter Wright in rehearsal for Giselle, The Royal Ballet, Stella Claire, Arnott Mader, Graham McCormack and Peter Wright in 'Coffee from Arabia' in Sadler's Wells Theatre Ballet (Second Company) production of Two Scenes from Casse-Noisette. He … He is a Vice-President of the Royal Academy of Dance and Patron of the London Ballet Circle. Performed by The Australian Ballet,Peter Wright's production of The Nutcracker is considered the world's most beautiful. In 1969 he joined The Royal Ballet as Associate to the Directors, later Associate Director. Peter Wright's interpretation of The Nutcracker has been enchanting children and adults alike since its first performance by The Royal Ballet in 1984. Wright’s productions of the classics now feature in the repertories of companies around the world. The Sarasota Ballet in Sir Peter Wright’s Giselle – Photography Frank Atura. In 1961 he went to Stuttgart as teacher and ballet-master to the company being formed by John Cranko. He had the title Director Laureate conferred on him by Princess Margaret on his retirement from the company in 1995. © Birmingham Royal Ballet | Company registration no. The full ballet by Sir Peter Wright was recovered and first performed by the Sarasota Ballet in 2015. Producer Peter Wright, Royal Ballet Principals Natalia Osipova, and Carlos Acosta in rehearsals for Giselle. It’s a piece that continues to capture our imaginations because it examines both the euphoria, and the destructive capacity of love. In 1961 he joined John Cranko’s new Stuttgart company as Teacher and Ballet Master, choreographing several ballets and mounting his first production of Giselle. "At our core we believe art, beauty and community will always prevail." The curtain is about to be raised on backstage ballet rage among legendary figures like Rudolf Nureyev and Sir Kenneth MacMillan. He is president of the Benesh Institute (Dance Notation) and the Friends of Sadler's Wells Theatre and a vice president of The Royal Academy of Dancing and the Myasthenia Gravis Association. Cherished on every ballet world stage, The Nutcracker can be enjoyed at any time of year, especially as presented in The Australian Ballet’s decadently sumptuous production. And there’s no traditional Nutcracker as magical as Peter Wright’s.. The Nutcracker will be the theme for the iconic shop’s annual Christmas display. Not just any old Nutcracker, mind, but the 500th performance of Sir Peter Wright’s bespoke production. Production and scenario, Credited with He was awarded a knighthood (1993), an Honorary Doctorate of Letters from the University of Birmingham (1994), the De Valois Award for Outstanding Achievement in Dance (2004) and the Centenary Award for Dance (2013). Sir Peter Wright Production and staging. 1061012. Wright made his debut as a dancer with Ballets Jooss during World War II. His other interpretations of the classics include The Sleeping Beauty, Coppélia, Swan Lake and The Nutcracker and these productions now feature regularly in opera houses throughout the world. There he choreographed several ballets, including The Mirror Walkers, Namouna, Designs for Dancers and Quintet, and mounted his first production of Giselle, which he has subsequently produced for The Royal Ballet, Birmingham Royal Ballet and many other international companies. Sir Peter Wright has been extremely important to the development of ballet in England.He is now 90, but for this new series of performances he will come to Amsterdam again (weather permitting) to coach a new generation of dancers. The “wonderful” life of Sir Peter Wright. Additional choreography, © 2021Royal Opera HouseBow StreetCovent GardenLondonWC2E 9DD, Book onlineTickets for upcoming events are only available online, Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775), Tickets for upcoming events are only available online, Sugar and spice and all things nice: delving into. In 1977 he was appointed Director of Sadler’s Wells Royal Ballet, supervising the company’s transformation into Birmingham Royal Ballet in 1990. His autobiography Wrights & Wrongs: My Life in Dance was published in 2016. In 1990 he was awarded an Honorary Doctorate of Music from London University, the University of Birmingham conferred on him the title of Special Professor of Performance Studies and he was presented with the Elizabeth II Coronation Award from the Royal Academy of Dancing. It transformed the dance world when it was first performed in Paris in 1841 and remains at the centre of the classical repertory. He is also a governor of the Royal Ballet School. Photograph by Roger Wood, Valentino Zucchetti and Yuhui Choe in Giselle, The Royal Ballet, Credited with It would need a very hard heart not to be warmed by Sir Peter Wright’s sparkling production of The Nutcracker (for The Royal Ballet) and it was especially heartening to see this nonagenarian in the audience to celebrate another year’s opening of one of his most enduring achievements. Production. Back in April, I worked on Peter Wright’s version of the Romantic ballet Giselle. The Australian Ballet shines in this charming classic. Ellen Overstreet was partnered effortlessly by Ricardo … In 1969 he returned to The Royal Ballet as Associate to the Directors and then became Associate Director. Peter Wright’s interpretation of The Nutcracker has been enchanting children and adults alike since its first performance by The Royal Ballet in 1984. Production and He created his first ballet, A Blue Rose, for Sadler’s Wells Theatre Ballet in 1957. Giselle’s essence has remained the same through many different productions in well over a century of continuous performance. The artistic director of Birmingham Royal Ballet has created a gold-standard production of this beloved party piece, remaining faithful to … Choreographer and director Peter Wright is one of the most eminent names in ballet. Kevin O’Hare, Director of The Royal Ballet comments: “With our live shows sold out, it’s very special that we can share The Nutcracker Reworked, a 2020 restaging of Peter Wright’s cherished production for audiences around the world unable to join us in the theatre. His Royal Ballet productions of The Nutcracker and Giselle are among the most popular works in the Company’s repertory. The Royal Ballet had scheduled 17 performances of a reworking of Peter Wright’s well-loved 1984 Nutcracker. Peter Wright made his debut as a professional dancer with the Ballets Jooss during World War II and in the 1950s worked with several dance companies, including the Sadler's Wells Theatre Ballet, for which he created his first ballet, A Blue Rose, in 1957.In 1959 he was appointed Ballet Master to the Sadler's Wells Opera and teacher at the Royal Ballet School. Jul 29, 2014 - Peter Wright’s production of The Nutcracker is considered the world’s most beautiful, and coupled with Tchaikovsky's beloved score, it truly is a magical experience for the whole family. John Macfarlane’s ravishing design moves from a richly crimson Edwardian home to the sparkling Land of Snow to the vivid Land of Sweets in a series of breathtaking transformations with costumes to match. Peter Wright made his debut as a professional dancer with the Ballets Jooss during World War II and in the 1950s worked with several dance companies, including the Sadler's Wells Theatre Ballet, for which he created his first ballet, A Blue Rose, in 1957. His Royal Ballet productions of The Nutcracker and Giselle are among the most popular works in the Company’s repertory.. Wright made his debut as a dancer with Ballets Jooss during World War II. Peter Wright’s The Nutcracker Returns to the Royal Ballet so it is Officially Christmas 30/12/2020 06/12/2017 by Jim Pritchard United Kingdom Tchaikovsky, The Nutcracker (choreography by Peter Wright): Soloists, corps de ballet, London Oratory Junior Choir, The Schola Cantorum of the London Oratory School and the Orchestra of the Royal Opera House / Barry Wordsworth (conductor). Music performed by Orchestra Victoria. A new feature-length documentary captures the backstage preparations for the return of The Royal Ballet's iconic Christmas production. Sir Peter Wright rehearsing Greta Hodgkinson in Giselle.Photo by Cylla von Tiedemann. Giselle is the classic ballet of the Romantic era. The Kingdom of Sweets is an integral part of this much-loved festive ballet, but it changes from Nutcracker to Nutcracker. Peter Wright’s production for The Royal Ballet is based on Marius Petipa’s classic version (after the original 1841 choreography by Jules Perrot and Jean Coralli), which was first staged in St Petersburg in … Having the opportunity to be coached by Wright in the studio was fascinating, and working with several casts of principals […] 3320538 | Registered charity no. You could see the difference between the villagers and the court, both in costume design (which was excellently done for both acts). In 1990 Wright was presented with the Queen Elizabeth II Coronation Award by the Royal Academy of Dance, an Honorary Doctorate from London University and in 1991 was made a Fellow of the Birmingham Conservatoire of Music. Sir Peter Wright is a British ballet teacher, choreographer, director and former professional dancer. 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