Fountain is a readymade sculpture by Marcel Duchamp in 1917, consisting of a porcelain urinal signed "R. Mutt". One of his most celebrated works Spatial Concept: Waiting consists of a single cut on a warm, brown-hued canvas. Given these flaws, and those in Fontana's original series, the absence of any modern masters from the visual arts is notable,[4] since Matisse was one of four 'forthcoming titles' which Shovlin had apparently overlooked: Benjamin and Matisse have since been included in a new series of seventeen large Fontana Modern Masters that Shovlin painted in 2011-12. Choose your favorite fontana paintings from millions of available designs. Figure Nere is an example of Fontana's early ceramic sculpture, featuring a rough-hewn, rectangular terra-cotta slab with two black silhouetted figures, a taller one behind a shorter figure in the front. The books were very popular with students, who 'bought them by the handful' according to Kermode,[1] and they were instantly recognisable by their eye-catching covers, which featured brightly coloured abstract art and sans-serif typography. Friday, January 22 @ 5:15pm-6:45pm: Kid's Paint Night - Winter Wonderland Friday, February 5 @ 5:30pm-6:30pm: Little Tykes Paint Night - Arts & Hearts Please click here for more information or to register for these upcoming events. Escaping the political … The shape of the terra-cotta slab resembles the grave stones and funerary sculpture that Fontana's father had created for his clients, yet Fontana decided to disrupt this resemblance by adding implied depth to the image rather than allowing the flat surface to support similarly flat visual or textual content. MORE STYLES - Fontana - maps on the link below https://www.etsy.com/shop/M3maps?search_query=Fontana SHIPPING - We ship from USA! (firmatoterracotta ingobbiata, buchi, incisioni e graffiti, … Yet, these forms in themselves are not the same as the space around them, prompting Fontana to search for methods to rectify these inherent boundaries. All Rights Reserved. Just as human kind continued to push beyond the familiar boundaries of time and space in scientific and mathematical realms, so too did Fontana ask artists and viewers alike to reimagine the established norms. These cuts (or tagli) were carefully pre-meditated but executed in an instant. A 4:30 p.m. reception, also in Mabee Hall, will precede the lecture. This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. Discover (and save!) ©2021 The Art Story Foundation. All fontana paintings ship within 48 hours and include a 30-day money-back guarantee. An Italian sculptor, painter, and theorist who was born in Argentina is best known as the founder of Spatialism and his ties to Arte Povera, a modern art movement introduced in Italy in 1967. Artwork page for ‘Spatial Concept ‘Waiting’’, Lucio Fontana, 1960 In 1959, Fontana began to cut the canvas, with dramatic perfection. By assembling these environments, Fontana challenged viewers to understand the artwork as a spatial experience rather than a fixed object. With the tagli, Fontana abandoned any effort to provide additional ornamentation on top of the canvas, as he did with buchi works. Just as modern life was quickly embracing forms that could be experienced without being physically seen or felt, such as telecommunications and advancements in math and physics, modern art could similarly be composed of intangible elements, like bright lights and shadows, and reflect movement and stillness. Amazon.com: Orazio Fontana - 20x20 Modern Black Framed and Double Matted Art by Museum Prints Titled: Dish with Jacob's Dream: Posters & Prints Moving away from the creative gesture that directly stemmed from the physical, inspired movements of the artist's hands, Fontana's cuts are products of a sharp knife that minimize the trace of the artist's body and mind. Thus, Fontana never completely gave up on the role of the artist, though the shapes he produced were intended to draw attention to the natural phenomena surrounding us that are not direct products of man's creation. In Duchamp's presentation, the urinal's … Fontana Arte offers products with a contemporary look with clean lines and a minimalistic style of covers for the first ten Fontana Modern Masters in 1970-71. These ambienti spaziali immediately followed the First and Second Spatialist manifestos of the late 1940s, in which Fontana and other artists called for the integration of science and art through the embrace of modern technology in artwork and the recognition of the creative possibilities within scientific discovery. Under the art direction of the great Gio Ponti, FontanaArte has been a leader in the modern lighting sector since 1931. In his series known as the pietre (stones) Fontana added small pieces of colored glass to his paintings that contained his signature holes. The first five titles were published on 12 January 1970 by Fontana Books, the paperback imprint of William Collins & Co, and the series editor was Frank Kermode who was Professor of Modern English Literature at University College London. Amazon.com: Orazio Fontana - 20x24 Modern Black Framed and Double Matted Art by Museum Prints Titled: Pilgrim Bottle: Posters & Prints While the viewer's mind may fill in the spaces between the punctures, creating whirling lines across the canvas, the composition is not intended to be strictly representational. The repeated cuts appear almost machine made, insisting on the productive quality of modern mechanisms rather than the timeless value of the artist himself. Fontana intended to add movement to these works, hoping the light could travel through the pietre on top of the painting and also through the canvas itself with the buchi. See more ideas about lucio fontana, fontana, art. The tension between presence and absence in the tagli canvases forces the artist and viewers alike to rethink common assumptions about the creative process, allowing a seemingly destructive gesture to be a constructive moment, as it creates a new region for art to exist by breaking apart another. The Fontana Modern Masters was a series of pocket guides on writers, philosophers, and other thinkers and theorists who shaped the intellectual landscape of the twentieth century. Lucio Fontanawas an Argentine-Italian artist known as the founder of Spatialism. Oil on canvas - Walker Art Center, Minneapolis, Content compiled and written by The Art Story Contributors, Edited and revised, with Summary and Accomplishments added by Meggie Morris. This medium-sized work (measuring 40 x 32 inches) is a warm, ochre-toned monochromatic plane, sliced by one of these signature tagli, which created a dynamic vertical, slightly right-leaning diagonal line down the center of the canvas. Jan 9, 2016 - Explore Torie Nimmervoll's board "Art - Lucio Fontana", followed by 325 people on Pinterest. 'Oliver Bevan: In Search of Utopia'. Despite Fontana's earlier interest in removing the physical trace of the artist's hand in his paintings, Fontana created this series of sculptures that could only have been shaped by the artist himself. [5] The paintings are acrylic on canvas and each measures 210 x 130 cm: James Pardey. The Fontana Modern Masters occupy a unique place in publishing history - not for their contents but their covers, which draw on the following developments in twentieth-century art and literature:[2][3]. LUCIO FONTANA1899 - 1968 CONCETTO SPAZIALEsignedengobed terracotta, holes, incisions and graffiti, black and whiteExecuted in 1951-52This work is registered in theFondazione Lucio Fontana, Milan, with the n.4323/1and it is accompanied by a photo-certificate issued by theFondazione Lucio Fontana, Milan. One of Fontana's first cycles of works, the buchi (holes) series features the opening of the canvas surface to expose the space behind it. The title for this series of sculptures, Natura, recalls objects and experiences that are present if not strictly visible in the artwork, such as the elements of the natural environment on Earth as well as the natural elements orbiting around us in space. Dec 8, 2014 - Explore Ian Andrés Barragán's board "Lucio Fontana" on Pinterest. Fontana’s rupture of the surface of painting has had a widespread impact on generations of artists in exploring the dynamics of how painting can incorporate space and the real, physical elements of life. With this series of works, Fontana returns to constructing layers of paint upon the surface of the canvas while also rendering gaps in the physical support, forcing the artwork to spread out in different directions that project towards viewers and recede from them at the same time. Dr. Jeffrey Fontana, Austin College associate professor of art history, will present “Up Close and Personal: Getting to Know Some Famous Ancients and Not-So-Famous Moderns” on Wednesday, October 25, at 5 p.m. in Mabee Hall of Wright Campus Center. Art within space.” While living in Buenos Aires between 1940 and 1947, Fontana consorted with many Argentine Concrete artists, such as the Madí group. These swirls of paint drag the viewer's gaze back and forth and up and down across the canvas, inviting the viewer to participate in the energetic journey into the space of the artwork. As he had with his early ceramics, Fontana used his bare hands to enlarge the holes in the olii canvases. Here, we are presented with a monochromatic white canvas that defies its apparent simplicity with the artist's delicate, serpentine marks, making three rings around an aggressive puncture in the center. “Sculpture and painting are both things of the past,” argued Fontana. Fontana conveys these themes through his simplicity of forms, allowing the materials to carry meaning even in their understated appearances. The Fontana Modern Masters were great if you loved deep thinking and even better if you loved great art, with the first ten covers forming a cut-up of Oliver Bevan's Cascade. *Paint nights are $7 per participant, materials provided. For works with only one cut, the subtitle was attesa, the Italian word meaning expectation or anticipation. Painted clay - Fondazione Lucio Fontana, Milan. The cover concept was the brainchild of Fontana's art director John Constable, who had been experimenting with a cover treatment based on cut-ups of The Mud Bath, a key work of British geometric abstraction by the painter David Bomberg. Discover (and save!) Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. The events, part of… [Read More] Like the holes in some of his other canvases, they have the effect of drawing the viewer into space. Artsy presents Finarte: Modern and Contemporary Art, featuring works by Lucio Fontana, Shepard Fairey, Ellsworth Kelly, and more. A beautifully elegant piece which was selected by the Museum of Modern Art for their permanent collection. This late concetto spaziale work, completed during the final year of the artist's life, features thick, impasto oil paint surrounding the central hole, representative of Fontana's olii (oil) technique. Fontana recalls the art of earlier civilizations and introduces elements of modern art in this work, harkening back to Ancient Greek black-figure pottery in both style and name while playing with the multiple perspectives that fascinated modern abstract artists, such as the Cubists and Futurists. Sculpture Modern Art Lucio Fontana Century Art Drawings Statue Art Event Italian Design Paris – Lucio Fontana: Retrospective at Museum D’Art Moderne Through August 24th, 2014 Global contemporary art events and news observed from New York City. [Internet]. Mocking the seriousness that accompanied expressive, colorful abstract painting in the post-war years, Klein ironically challenged viewers to find deeper meanings and nuanced differences in canvases that were complete monochromes in identical shades of Klein's own individual color: International Klein Blue. There is a side table, two coffee tables and a console/sofa table. Rather than creating an image by layering colors and lines on top of the canvas, Fontana's work creates an image through the direct engagement of both the canvas's physical properties and the space that exists around it. As the father of the spatialism concept, Fontana was at the helm of important developments in the modern art … The design was used for reprints and six new titles: Fontana's use of art as book covers went full circle in 2003-05 when the British conceptual artist Jamie Shovlin 'reproduced' the covers of the forty-eight Fontana Modern Masters from Camus to Barthes as a series of flawed paintings (the titles are missing and the colours have run) in watercolour and ink on paper, each measuring 28 x 19 cm. When the sale opens, all pre-registered Artsy users can participate and watch the bidding … As with his holes and cuts, the horizontal gash in the Natura sculptures are the physical traces of a decisive artistic movement, implying the motion and energy of the art making process while also suggesting the opening up of new areas where art can exist. The Fontana series consists of four tables in various sizes. The Fontana Modern Masters occupy a unique place in publishing history - not for their contents but their covers, which draw on the following developments in twentieth-century art and literature: Fontana didn’t begin creating canvas-based art until he was in his 50s. By 1960, Fontana restricted the number of tagli to between one and five after initial experimentations with several cuts running across the material's surface. 15 Ridiculous Pieces Of Art That Sold For Millions Of Dollars Uploaded 08/03/2015 Meanwhile in the countries with first world problems. In advance of the auction, browse lots and place max bids before live bidding begins in Milan, Italy on Thursday, October 22nd at 4:00pm CEST (10:00am EDT). The Musée d’Art moderne de la Ville de Paris presents a major Lucio Fontana (1899-1968) retrospective. Sep 25, 2013 - This Pin was discovered by Stephanie Tamez. Jahrhunderts. By depicting one black human figure seemingly in front of another, with a significant strip of white clay obscuring the left side of the black figure to the right, Fontana reveals a physical gap in space between the two figures, showing the depth of the ambient space as it appears and is experienced in the real world. Fontana was aware of the potential tension between objects and space, noting in his writings that art forms, such as paintings and sculptures, can occupy space by adding to the existing environment through tangible materials and through intangible effects (such as shadows). Not long after Fontana experimented with punching holes in his canvases, he also experimented with adding objects on top of his canvases. With an economy of means, Fontana asserts his fascination with the technologies that increasingly dominated modern life in the post-war years. Considered one of the greatest visionaries of the 20th century, his work deeply influenced several generations of artists, from Yves Klein to the present. Fontana deliberately wanted his audience to feel disoriented when experiencing these installation works - sometimes keeping the installation environments in darkness, with the neon lights as the only illumination in the exhibition space - drawing attention to the unsettling sensations that accompany journeying into the unknown. In his quest for a new spacial art form that overcomes the limitations of the two-dimensional canvas, Fontana proves to be one of the most experimental and innovative artists of the 20th century – and one that has since then formed and inspired younger generations of artists. U pcoming Interactive Art Events. Through his punctures to the surface of these works, he made the invisible space an important, visible component of the art making practice and product. In these abstract works, Fontana anticipates later art practices that involve the physical movement of parts in artworks, such as Kinetic art, as well as those that engage real-time interactions between artist and viewer, such as Performance art. With this label, Fontana draws attention to the ongoing possibilities that lie in the unknown future, as well as man's perception of time as a psychological experience as much as a physical one. With these references in mind, Fontana's sculpture is not only a product of a past creative moment that exists in the present for the viewer, but it also indicates the timeless quality of objects in space. The bold monochrome colors of the tagli works resemble the abstract monochrome canvases of Fontana's contemporaries, such as Yves Klein and his signature blue monochrome paintings. 'The Shape of the Century'. Aug 3, 2015 - This Pin was discovered by Hilari Oller. Thick amounts of paint, energetically ripped holes in the canvas, and scratched lines into the paint surface seem hastily made, remnants of frenetic physical movements and an unsettled state of mind. These use a similar scoring system to his watercolours of 2003-05 and a new 'Acrylic Variations Colour Wheel'. In Fontana's tagli paintings, the monochrome gave the slices center stage, as opposed to Klein's monochrome, which celebrated the color on its own and the genius the artist claimed in its simplicity. The elegant bends of this neon sculpture appear as random meandering, the quintessential doodle on paper, yet the expansive scale and modern medium elevates the object to a sensational and environmental status. He is mostly known as the founder of Spatialism. Italian Painter, Sculptor, and Conceptual Artist. Fontana chose to call these works concetti spaziale (spatial concepts) rather than paintings, revealing his intense interest in recognizing the role of the surrounding space. 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