—AR, Paula’s ABBA-style romp through a grocery store full of phallic vegetables relives every girl’s unforgettable coming-of-age moment. The musical numbers are all over the board (in a really good way) … http://smarturl.it/crazyex1_i Instead, it’s an impeccably crafted piece of infectious joy, and a perfect example of everything this show does best. (Do not @ us on Twitter.) —AR, “I Hope Josh Comes to My Party!” season 1, episode 3, This pitch-perfect boy band parody is so low on the list only because there are so many fantastic deconstructions of Rebecca’s obsession with Josh to come, and the bar is high. —CG, “Nathaniel Needs My Help!” season 3 episode 8, This characteristically silly Darryl rap gets some credit for its commitment to the gag, but we’re ultimately with Mrs. Hernandez on this one: Oh god, this is gonna be gross. —CG, This Shakira-inspired number has a solid claim to the best one-liners of any song on the show. Playlist help request: the songs that inspired Crazy Ex-Girlfriend songs I’m making a Spotify playlist for all the songs on crazy ex-girlfriend that are based off of or inspired by another song. When Crazy Ex-Girlfriend throws out a really great song — and among its 101 songs, there are a lot of really great ones — there’s only one possible reaction: You cover your face with your hands, cringing and shaking with simultaneous laughter and tears, and you choke out, “Too real! But the heart of this song lies in Rebecca’s achingly relatable sense of loneliness and alienation. one of the lowest-rated shows on television, Donald Trump just issued a surprise pardon for the man at the center of an epic fight between Google and Uber. Here are our top 17 -- tell us which you like best, or if we missed any of your favorites. —CF. Anyone can brag about being good at yoga, but imaginary Valencia boasts that not only does she have vaginal orgasms, but she’s also not afraid of clowns and trains. —CG, “Josh and I Go to Los Angeles!” season 1, episode 13, Rebecca stirs her community to a Les Mis-y rebellion that’s far more interesting in theory than in practice, but at least it contains a B.J. If Lambert has a thin, almost girlish voice, she's hardly girly -- there's an edge to her delivery that leaves no doubt that she possess nerves of steel. In less than three minutes, this song tells us everything we need to know about Rebecca’s relationship with her mother, who barely takes a breath from the second she bursts in the door. —CG, For another character, this pastoral operetta riff could have been too over-the-top to be effective, but as sung/acted by the inimitable Donna Lynne Champlin (and some birds), it’s just the right combination of wistful, wry, and poignant. This last song provides a neat flip side to the rampaging title track, which also hints at this album's complexity. Two songs, actually, in the pilot. Crazy Ex-Girlfriend just released its season 4 theme song, so let’s take a moment to decide where it belongs in the pantheon of the show’s opening sequences. —AR, This Rebecca Bunch signature move is an early Bunch 101 on the fundamental contradictions of her character. —AR, “Josh’s Ex-Girlfriend Wants Revenge,” season 3, episode 1, The charm of this amusing musical village ensemble wears thin after a verse or two as Rebecca decides to transform herself into a Woman Scorned. Too real!”. Not only is it a catchy earworm that acts as a handy recap for how Rebecca ended up in West Covina, but it also pokes fun at the entire idea of the show by acknowledging that the “crazy ex-girlfriend” label is “a sexist term” — a charge lobbed at the show before it even premiered. (“You’re looking healthy, and by healthy, I mean chunky.”) It’s exactly the kind of song that keeps us coming back to Crazy Ex-Girlfriend, and as such, it deserves this top spot on our list and in our hearts. Rebecca’s Marilyn Monroe moment manages to singlehandedly beat half the songs of Smash, a TV show devoted almost entirely to creating musical tributes to Marilyn Monroe. “Where’s the Bathroom?” is a tour de force, a master class in guilt-tripping sold by Tovah Feldshuh’s incomparable and unstoppable gusto. It’s a joyous, sparkly subversion of the Marilyn Monroe fantasy that at the same time manages to effectively puncture Rebecca’s self-absorbed glee at being pursed by two hot guys at once. The moment when he comes out to a nonplussed workplace in a rousing Huey Lewis tribute is a perfect example. Millions rely on Vox’s explainers to understand an increasingly chaotic world. “We Tapped That Ass” recaps Rebecca’s enthusiastic sex life with both Greg and Josh in excruciating, hilarious detail, with Santino Fontana and Vincent Rodriguez grinning up a storm. Now they’re getting arrested. It could’ve been unbearably cheesy, gross to distraction, too impressed with its own profane daring. Still going to the grocery store? One of the surprise turns Crazy Ex-Girlfriend has taken during its meandering tour through a host of rom-com tropes is its early-season-two decision to totally break up, at least for the foreseeable future, the Greg-Rebecca part of the Great Rebecca Bunch Love Triangle. —AR, “Who’s the Cool Girl Josh Is Dating?” season 2, episode 7, We probably didn’t need to see Paula’s husband’s barbershop quartet, but you have to admit, they have a sweet harmony. —CG, “Who Is Josh’s Soup Fairy?” season 2, episode 8, Josh’s songs often revolve around the joke that he’s not that bright. Some of the pairs below are based on articles I've read and others I just know from common musicals, but I'm sure I haven't caught all their references. Your financial contribution will not constitute a donation, but it will enable our staff to continue to offer free articles, videos, and podcasts to all who need them. Rebecca’s delight speaks for all of us. The CW's musical comedy series Crazy Ex-Girlfriend is well-known - and loved - for its iconic and usually spot-on parodies of various musical genres. Fingers crossed for a reprise. And here, as she shimmies menacingly across the stage in her “Rose’s Turn” number, she at last releases all of the pent-up rage she’s been carrying in an explosion of angry jazz hands and sardonic patter. So this one, which shows off Champlin’s range while poking fun at Paula’s love of telling Rebecca exactly what she should do, was and remains a welcome treat. —CF, “JAP Battle” takes a very tired trope — “white people rapping ironically” — and pokes fun at that very fact by aiming this rap battle at a hyper-specific target: two overachieving “Shebrews from Scarsdale.” The ridiculous study of “Jewish American Princess” culture is packed with smart rhymes, unexpected character building, and Yiddish wordplay — a confusing combination on most any show but Crazy Ex-Girlfriend. —Caroline Framke, “Why Is Josh’s Ex-Girlfriend Eating Carbs?” season 2, episode 5, A good Josh song is always like Josh himself — a little fluffy, a little vacant, and straight to the point. —CG, “Paula Needs to Get Over Josh!” season 1, episode 18, Sure, the climactic season one finale song is a little cheesy, but as sung by actual Disney princess Lea Salonga, it’s the perfect gushy, melodramatic capper for a Rebecca-Josh epiphany. The Ed Sheeran-esque “Let’s Have Intercourse” plays to his dude-bro strengths as Nathaniel shrugs that sure, he’ll have sex with Rebecca, but it’s not like he wants to (incredibly badly) or anything. —GK, Trent had two jobs: look sexy and get ready. There are so many ways this song could have gone wrong. —CG, This ’80s hair metal jam, while inessential to the larger plot, is so much funnier than it has any right to be — not least because of its perfectly random cameo from the ghost of Steve Jobs. —GK, “Josh Is the Man of My Dreams, Right?” season 3, episode 11, Scott Michael Foster has shown more and more of how well he fits with this show as his Nathaniel gets more and more obsessed with Rebecca, despite all his better instincts. It’s funny, relatable, and, crucially, a memorable setup for his ultimate decision to leave. —CG, “When Will Josh See How Cool I Am?” season 2, episode 2, Greg’s bitter reprise is so brief it doesn’t even show up on YouTube, but it’s an effective and timely reminder of why he’ll be much happier away from West Covina and Rebecca, much as the audience might want him to stay. Here is every song in Crazy Ex-Girlfriend, ranked from worst to best. But what takes this song from good to great is the fluid choreography, which has Foster and Bloom pantomiming their way through a gorgeous dance routine inspired by disappointing sex. —AR, “Josh’s Ex-Girlfriend Is Crazy.” season 3, episode 4, We all know feminine anger is most palatable when it’s positioned as sexy and dangerous, and this short song makes up in aesthetic what it lacks in, uh, song-ness. There are songs that are larger than life, songs that are achingly intimate, and they all add up to rich artistic statement of purpose that is also a hell of a lot of fun. Josh's Ex-Girlfriend Is Crazy. The same night, it’s introducing a companion hour, “Crazy Ex-Girlfriend,” a romantic comedy with a twisted song in its heart. Detractors will argue that Rebecca’s power anthem of “self-indulgent self-loathing” doesn’t have the witty rhyme structure or clever wordplay of other songs on this list, but for sheer force and power, it can’t be beaten. —CG, “I Never Want to See Josh Again.” season 3, episode 5, Rebecca’s mournful “My relationship with her was my first failed romance” beautifully captures the tortured dynamic she’s developed with her mother — but there will be later songs that handle it even better. Broadway legends LuPone and Feldshuh are the heart and soul of this song (though the DJ, the grandson of a survivor, pulls his weight), turning a 90-second gag into an epic performance that instantly became one of the series’ most memorable moments. —CG, “Nathaniel Gets the Message!” season 3, episode 9, Let’s get the nitpicking out of the way first: The reveal that Josh is an actual stripper (not just an imaginary one) is poorly integrated into this song; if they’d done a better job establishing a difference between the real stage and the dream stage, it would have played better. He managed neither, but the effort was hilarious. For the truly demented “I wanna kill you and wear your skin like a dress / but also have you see me in the dress / and be like, ‘OMG, you look so cute in my skin!’” breakdown alone, this song deserves every honor we can give it. —AR, “I’m Going to the Beach With Josh and His Friends!” season 1, episode 9, The perpetual refrain of “West Covina” throughout season one gets 100 times more fun when Josh is involved. Rebecca gleefully urging her imaginary audience to sing along with her, crowing, “Yes, I deserve this!” and wallowing in mocking her own self-hatred is one of the darkest and most revealing moments of the whole show, and it sets the stage for her rock-bottom moments in season three. It’s hard not to nod in recognition when she demands to know whether there’s a secret manual on how to be a normal person that everyone has but her — or to keep from cringe-laughing when she growls, “I know you have the manual, Patrick; I know it’s in your truck, Patrick!” —CG, This song was the perfect introduction to Crazy Ex-Girlfriend’s pervasive and cheerful excoriation of gender roles and the ridiculous societal expectations placed on women. newsletter. 2015 TV-MA 4 Seasons TV Comedies. “West Covina” (season 1, episode 1) This is where it all began. “West Covina” (Season 1, Episode 1) Could Crazy Ex-Girlfriend‘s very best song also be its very first … ‘Crazy Ex-Girlfriend’: 8 Favorite Songs Rachel Bloom, Jack Dolgen and Adam Schlesinger, the trio responsible for the show’s original songs, highlight their favorites. —CG, “Where Is Josh’s Friend?” season 2, episode 1, Rebecca and Josh’s awkward, bubbly chemistry usually serves their story well, but it can’t quite carry a steamy number about uncontrollable sexual passion. —Constance Grady, “Nathaniel Needs My Help!” season 3, episode 9, Though the karaoke room is a fun conceit, Josh clearly needs repetition to absorb unpleasant ideas, which makes this a pretty boring song for the rest of us. The CW’s musical dramedy is one of the lowest-rated shows on television, but it’s beloved by critics, musical theater aficionados, and fans of an artfully deconstructed romantic comedy. As a first impression for what was to come, this theme song nailed it so hard that it was genuinely sad to see it go come season two. The important symbolism of Joe Biden’s memorial to Covid-19’s victims. The most bizarre thing about Trump’s farewell speech is how normal it sounds. but largely forgettable. —CF. A definitive ranking of Crazy Ex-Girlfriend’s 101 songs, What the clergy praying at Biden’s inauguration signal about his priorities. This ranking is as weird and perfect as the show itself. —AR, “I’m So Happy That Josh Is So Happy!” season 1, episode 7, Rebecca’s spot-on turn at a sultry French torch song is hilariously over-the-top, while hinting at her very real problems with coping mechanisms. —AR, Valencia gets her Mean Girl on by way of Lilith Fair, and the results are breezy fun (the way her victims’ faces first light up and slowly fall!) Ask questions and download or stream the entire soundtrack on Spotify, YouTube, iTunes, & Amazon. What’s great about this song is that it takes a woman’s first fumbling sexual encounter, something typically framed as a dramatic loss of innocence, and turns it into a joyous, celebratory nostalgia trip. From iconic bands, famous music videos, and pop music clichés, Crazy Ex-Girlfriend covers the gamut of musical forms. The wait for Season 2 of Crazy Ex-Girlfriend is almost over! “The Villain in My Own Story,” in which Rebecca questions herself and everything she’s done up to this point, proved once and for all that it knew exactly what it was doing. The choice of Fr. … —CF, As Rebecca tried to seduce her seemingly terrible boss, Nathaniel, in a desperate attempt to find “the bitch that lies beneath,” she finally threw caution to the winds with “Strip Away My Conscience,” a sexy Chicago-style striptease packed with double entendres. —CF, “Josh and I Work on a Case!” season 1, episode 12, Rebecca’s unblinking enthusiasm make her an ideal Music Man con woman. —CF. What did this person have against guest vocalist Bayne Gibby and her “I Feel Like This Isn’t About Me?” Why couldn’t that person see that “You Stupid Bitch” was a far more meaningful and powerful song than “It Was a Shit Show,” no offense, Greg? “Friendtopia” Based on the title alone, you might expect this to be a song about a utopia that places … “A Diagnosis” is a joyous “I want” song that wouldn’t feel all that out of place in a show like Next to Normal, and it represents a valuable move forward in Rebecca’s endless one step forward/two giant steps back journey. —AR, If you ever want to get very depressed about men, you can either go directly to No. The season stars Rachel Bloom as Rebecca Bunch, a distraught young woman, dealing with the consequences of pleading guilty to attempted murder at the end of the previous season. All the deeper explorations of her psyche that we get over the course of the rest of the show are rooted in this song. This song appears in the 4th episode of the TV musical show “Crazy Ex-Girlfriend”. All 6 songs featured in Crazy Ex-Girlfriend season 1 episode 13: Josh And I Go To…, with scene descriptions. —AR. —CF, “My First Thanksgiving With Josh!” season 2, episode 6, Herein lies an early form of what came to be a classic Crazy Ex-Girlfriend combination: a seemingly innocuous topic (meeting parents) with a seemingly disparate genre (the kind of Katy Perry synth pop that leans on ill-advised rap breakdowns), plus a heavy dose of gleeful filth. At first Rebecca sees her life as a Sleepless in Seattle-style romantic comedy, but over the course of three seasons, Crazy Ex-Girlfriend has steadily poked hole after hole in her delusions, often by turning them into smart, sharp, funny-sad song parodies. To Josh, With Love. And most importantly, it’s a hell of a lot of fun. Oh Nathaniel, It's On! Donna Lynne Champlin as Paula is the great secret weapon of Crazy Ex-Girlfriend. It works nicely as a one-size-fits-all critique of the commodification of female empowerment, with some gleefully tweaked details in both the lyrics (“wear fake eyelids just for yourself”) and the visuals (the skeevy Terry Richardson doppelgänger in a “Male Gaze” shirt). Not a single song received perfect ratings from every panelist. —CG, We knew Heather was cool before this song, but this is where we find out just how cool. This is not the best iteration of that idea. After many rounds of voting, debating, and horse trading, we finally settled on a definitive, inarguable, and absolute ranking. Nathaniel Gets the Message! Health experts say you should avoid optional trips whenever you can. For proof that democracy is broken, look no further than the fact that “You Stupid Bitch” was ranked No. But the song’s best gift is its “don’t think about it too hard, too-too hard” breakdown, a glorious amalgam of the sort of irresistibly nonsensical earworm that’s endemic to bubblegum pop, and the mockery thereof. It has to give us our first impression of our heroine, introduce us to the decision she makes that will drive the entire plot, and set the stage for the show’s quirky musical conceits, all while serving up an entertaining pastiche of the classic movie-musical showstopper. Ask questions and download or stream the entire soundtrack on Spotify, YouTube, iTunes, & Amazon. Greg’s unexpectedly chipper reaction to Rebecca’s health emergency demonstrates both why he was such a fun match for her and why Santino Fontana was such a perpetually compelling asset to the show. His unique mix of sincerity and social awkwardness manages to transcend our discomfort and land somewhere between hilarious and endearing. —AR. The lyrics are razor-sharp throughout (“We’re gonna braid each other’s hair / then cut each other’s braids / connect the braids to build a rope / to hang all of Congress”), escalating to a hilariously antagonistic “roll call” that introduces “The Brainy One” (head of censorship and mind control), “The Cool One” (puts drugs in the water supply), and “The Sexy One” (czar of torture). Sign up for the In honor of the occasion, a group of Vox culture writers has joined forces to rank all 101 songs, from worst to best. —CG, It takes a talented team to make an Irish drinking song memorable — a feat the Crazy Ex team accomplished by making this one about the horrific, unflattering realities of alcoholism (not to mention throwing up on a cat). The Crazy Ex-Girlfriend Wiki is a collaborative website built by Crazy XGF fans just like yourself! —CG, This song works less well as the Lemonade parody it was intended as than an unexpectedly hilarious explanation for why, exactly, Rebecca clings to whatever tiny scrap of affection a man shows her for moral support. “Grebecca” had seemed to be shaping up to be the show’s “endgame” pairing, but then Greg, who had long wanted to return to Emory University and pursue his own dreams, decided to do just that, even though it meant leaving Rebecca at the airport terminal. Up until episode 38, when … Still pining for Josh, the boy who dumped her ages ago, whip-smart lawyer Rebecca jettisons her New York life and moves to California to win him back. —GK, ”Josh’s Sister Is Getting Married!” season 1, episode 16, Pairing Greg, in all his wryness and faux disaffectedness, with the classic sound of West Coast ’90s grunge was one of the show’s smartest moves. In it, Greg Serrano, a local bartender has decided to ask newly arrived lawyer Rebecca Bunch (who —Aja Romano, “Josh and I Work on a Case!” season 1, episode 13, Though it’s a winning moment for Rebecca, this ensemble reprise is less Les Mis-y, and therefore less interesting, than its progenitor. —AR, Guest star Brittany Snow coos her way through this ode to obsessive jealousy with a perfect pop-star blankness. Nathaniel Needs My Help! Hearing Rebecca’s litany of questionable-to-illegal behavior compressed into two searing minutes is deeply uncomfortable, but Bloom sells the hell out of it, sending the series’ definitive romantic relationship out on a literal high note. 02. —AR, “Josh’s Sister Is Getting Married!” season 1, episode 16, This fun little barely-a-song gets a huge boost from Greg’s obnoxious gloating in the background — not to mention the timely intervention of Grocery Clerk With Half an Eyelid. —CF, As the big first-episode opening number, this song wears a lot of hats. —Genevieve Koski, “When Will Josh and His Friend Leave Me Alone?” season 2, episode 4, In theory, a makeover montage as cheer routine sounds fun, but in practice, this song is just monotonous at a level that even Rachel Bloom’s chipper delivery of “I had a stroke!” cannot salvage. Rebecca telling … In this, his initial pitch to Rebecca, he upsells his underdog status, and even if it’s clear that Rebecca isn’t it buying it, by the time he’s through tap-dancing his way into our hearts, the rest of us totally are. —CG, “Will Scarsdale Like Josh’s Shayna Punim?” season 2, episode 10, This ridiculously costumed ode to the reckless optimism of romantic infatuation is a fairly straightforward homage with a few fun musical flourishes elevating it to something a bit more special, like Josh and Rebecca’s octave-spanning “no more ups and downs, only ups and ups and ups!” and “live fade out, live fade out, live fade out ...” Bonus points for Heather’s flawless Soul Train exit. It’s fine. —CF, Scott Michael Foster’s Nathanial has only had a couple of solo songs so far, both trading on his would-be confident-hot-dude persona and a lot of mugging for the camera. —AR, It’s rare for reprises to distinguish themselves from the original as strongly as this number manages to do, by inverting Paula’s unforgettable excoriation of Rebecca and applying it to Rebecca’s relationship with Josh, which the would-be Mrs. Chan well and truly burns to the ground here. Plus, it’s always fun to see Josh take a turn as the dapper, old-school leading man — especially when he still gets to be the dumb, plucky jock we know and love. Sara Bareilles and Josh Groban, 'Big Mouth', 'Crazy Ex-Girlfriend', and 'The Good Fight' all found a place on EW's list of best original TV songs of 2018. —GK, It was hard to imagine that the show could come up with a more fitting theme song than the one it originally had, but damn if this second iteration didn’t pull it off! Here, we see Rebecca forcefully rejecting the romantic comedy narratives that guided her actions in the first two seasons, only to replace it with a magical hippie fantasy that’s just as unreachable. Every day at Vox, we aim to answer your most important questions and provide you, and our audience around the world, with information that empowers you through understanding. —AR, “Can Josh Take a Leap of Faith?” season 2, episode 13, There’s a reason Crazy Ex-Girlfriend doesn’t evoke nu-metal very often, but this one gets some mileage out of the dissonance between subject matter and musical style, particularly Bloom’s all-in scream delivery of, “Love is patient love is kind.” —GK, “All Signs Point to Josh ... or Is It Josh’s Friend?” season 2, episode 3, As necessary as this sex-positive song is, it was undeniably more effective when teased throughout several episodes in perpetually interrupted snippets. —CG, “Josh Is Irrelevant.” season 3, episode 6, This is a two-minute-long poop joke. Fifth Harmony - 'Worth It' / 'Put Yourself First' We can't work out whether the fact the girls are ever-so … Leo O’Donovan and Rev. We’re not mad about it. —CG, “My Mom, Greg’s Mom and Josh’s Sweet Dance Moves!” season 1, episode 8, This pastiche of bland, aggressively multicultural, over-corporatized, snowless California Christmases makes for a fun, forgettable holiday jingle. —GK, Whether it’s an unintentional backhanded compliment or a passive-aggressive master stroke, we have to hand it to Darryl for using this song (and a ukulele) to make Paula laugh while guilting us all into appreciating him more. Starring: Rachel Bloom, Vincent Rodriguez III, Santino Fontana. Crazy Ex-Girlfriend. Paula spent all of season one acting as Rebecca’s id, initiating all of the petty, vindictive shenanigans that Rebecca claimed she wanted no part in but secretly craved, the way the best friend traditionally does in a romantic comedy. That person invites the rest of the panel over to her place to talk this out over some crudités and glowsticks. "You Stupid Bitch" Is this even a surprise? 8 on this list or you can just check the YouTube comments on “Heavy Boobs.” Bloom has said that she deliberately shot the bouncy video to look as painful as possible and subvert the male gaze — but the comments are filled with men boasting about watching the video one-handed. —AR. Rachel Bloom, Vella Lovell, and Gabrielle Ruiz fully commit to their characters’ wide-eyed mania (and bad accents), turning the conceit of this song up to 11 and making us truly believe in the revolutionary power of rosé and nostalgically watching Hocus Pocus. —CG, “I Never Want to See Josh Again,” season 3, episode 5, Turning over a musical number to an unknown character is always a bit of a gamble for Crazy Ex-Girlfriend, but the pointed slightness of this song — and Bayne Gibby’s appropriately aloof delivery — makes it a pleasant-enough detour that most of our panel took no issue with. Crazy Ex-Girlfriend (The CW) made musical theater nerds of us all with its hilarious, thoughtful, and challenging first season, which comes to an end on Monday, April 18. “We can’t undo, can’t make amends,” he sings, “dysfunction is our lingua franca / We can’t unscrew each other’s friends / we’re Jerry Springer, not Casablanca.” It’s a perfect, perfectly awful Crazy Ex-Girlfriend moment. Chip in as little as $3 to help keep Vox free for all. Songfacts category - Songs about an ex-girlfriend or ex-boyfriend. To those people, may we suggest exorcising that frustration via a high-energy, martial arts-inflected angry dance (backflips optional)? The Capitol rioters put themselves all over social media. I sing this to myself at least once a day. The result beautifully brings psychological depth to the romantic comedy best friend trope, and Champlin makes every moment of it shine. Filmed in one long take, Greg walks us through his growing dissatisfaction, his gnawing self-loathing, and his seething sense of thwarted ambition, all by glibly declaring he doesn’t care about any of these things. 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